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Titlebook: Queen Victoria and the Theatre of Her Age; Richard W. Schoch Book 2004 Palgrave Macmillan, a division of Macmillan Publishers Limited 2004

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Refuge at the Foot of the Thronet now seems, Berkeley’s laudation tells us that Victoria’s place in theatrical culture was powerfully symbolic. She was the sign and testament of the theatre’s moral fitness, and her example provided the best of all possible rebukes to ignorance and bigotry.
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Book 2004 unruly; a woman who delights in gory melodramas and circus acts. Queen Victoria and the Theatre of Her Age gives readers a deeply personal account of her lifelong devotion to the stage. It will appeal to anyone interested in monarchy‘s place in popular culture.
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irited and unruly; a woman who delights in gory melodramas and circus acts. Queen Victoria and the Theatre of Her Age gives readers a deeply personal account of her lifelong devotion to the stage. It will appeal to anyone interested in monarchy‘s place in popular culture.978-0-230-28891-1
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The Lions Repaid Aller Isaac Van Amburgh. After enduring the tedious pantomime, as the Queen slyly wrote in her journal later that night, ‘[t]he . amply repaid all’. Over the following six weeks she went to see ‘this miracle of a performance’ seven times. ‘You can never see it too often,’ Victoria insisted, ‘for it is different each time.’
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spectator, bountiful patron and tyrannical director of private theatricals. At times she appears formidable. More frequently she is impudent, high-spirited and unruly; a woman who delights in gory melodramas and circus acts. Queen Victoria and the Theatre of Her Age gives readers a deeply personal
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https://doi.org/10.1057/9780230288911culture; drama; stage; theatre; British and Irish Literature
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