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Titlebook: Palgrave Advances in Samuel Beckett Studies; Lois Oppenheim Book 2004 Palgrave Macmillan, a division of Macmillan Publishers Limited 2004

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beckett and homoeroticism,es. They bicker, they embrace each other, they depend upon each other. It has been suggested by many that they might be thought of as a married couple. But critics have generally been slow to reflect upon the possibility that there might be an erotic dimension to their quasi-marital relationship, ev
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biographical, textual, and historical origins, eight million people during its tour through Austria and Germany before moving on to England (Rapp 2002).. What has attracted the notoriety and the crowds are the ‘objects’ on display: twenty-five preserved human male and female corpses in various poses, and 150 body parts — torsos, heads, and limb
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beckett and religion, Beckett’s writing. This is from one point of view surprising. Beckett’s work can hardly be said to dramatize a journey to faith, an experience of the divine. At the extempore prayer meeting held by Hamm, Clov, and Nagg in ., the participants fail to apprehend the presence of God, and quickly abando
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beckett and performance,g of the self that is already implicit in the idea of representation and the quasi-Cartesian idea of the ‘pseudocouple’ that Beckett would hone into in his fiction and drama alike. A character named ‘Mr. Beckett,’ for instance, appears in . (written between 1931–2) as a belaurelled poet at the concl
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,sources of attraction to beckett’s theater,Herbert Blau, in an interview with Lois Oppenheim in 1992, remarked how difficult it had become by then to reconstruct the reactions of the 1950s and convey ‘just how startling these plays had seemed.’ He recalled how two of the older actors he had cast in his first production of . had withdrawn aft
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