书目名称 | Pop with Gods, Shakespeare, and AI | 副标题 | Popular Film, (Music | 编辑 | Iris H. Tuan | 视频video | | 概述 | Studies classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into interesting artistic media.Does an inter-disciplinary research by | 图书封面 |  | 描述 | .Applying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. .‘Iris Tuan’s book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare’s .Romeo & Juliet., Disney’s .The LionKing.) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan) -- all are approached by the author with enthusiasm.’ .—.Susan Bennett., Professor of English, University of Calgary, Canada .‘Tuan tak | 出版日期 | Book 2020 | 关键词 | Literature Works into Artistic Media; East Asian Theatre; Chinese and Korean Films; Chinese TV Drama; Br | 版次 | 1 | doi | https://doi.org/10.1007/978-981-15-7297-5 | isbn_softcover | 978-981-15-7299-9 | isbn_ebook | 978-981-15-7297-5 | copyright | The Author(s) 2020 |
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