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Titlebook: Political Myth; Henry Tudor Textbook 1972Latest edition Macmillan Publishers Limited 1972 political communication.political science.politi

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发表于 2025-3-21 16:46:42 | 显示全部楼层 |阅读模式
书目名称Political Myth
编辑Henry Tudor
视频video
丛书名称Key Concepts in Political Science
图书封面Titlebook: Political Myth;  Henry Tudor Textbook 1972Latest edition Macmillan Publishers Limited 1972 political communication.political science.politi
出版日期Textbook 1972Latest edition
关键词political communication; political science; politics
版次1
doihttps://doi.org/10.1007/978-1-349-01048-6
copyrightMacmillan Publishers Limited 1972
The information of publication is updating

书目名称Political Myth影响因子(影响力)




书目名称Political Myth影响因子(影响力)学科排名




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书目名称Political Myth网络公开度学科排名




书目名称Political Myth被引频次




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书目名称Political Myth读者反馈学科排名




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Chapter One, by disposing of a widely held but misleading preconception. In common usage, the term ‘myth’ stands for any belief that has no foundation in fact. A myth, we are told, is a fiction or illusion, the product of fantasy and wishful thinking rather than the result of any serious attempt to tackle the w
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Chapter Two,their particular historical context. At the risk of being tedious, I shall pursue this point a bit further, for it lies at the heart of many theories which nowadays dominate the study of political myths. Of these, the most common is the view that a myth is primarily a psychological phenomenon. Tucke
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Chapter Four,Our discussion of the Roman Foundation Myth illustrates this point. Although far from comprehensive, it shows that, as the myth was transmitted from one generation to the next, its meaning and content changed giving us a series of individually distinct versions. None of these versions can be said to
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Chapter Five,and more familiar kinds of discourse. They get, so to speak, lost in the wood, and it is easy to see how this can happen. Although the myth-maker possesses, in his myth, a simple and persuasive argument, the cultural context in which he operates is often extremely complex. His account will inevitabl
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Henry Tudors about his motives and about the relative significance of ale and wine. Ale-stakes, which were decorated poles advertising the availability of ale at alehouses, connect the Pardoner’s choice of performance setting with his friend, the Summoner. Stating that he wants to drink “corny” ale while telli
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Henry Tudorrest, even fascination, of modern beer drinkers with alternative beer styles, medievalism, or just a good story, has proven to be profitable grounds for recreating historic brews. The mystery of gruit beer, thought unlikely to ever be solved, opened the gates to unbridled creativity and resulted in
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