Titlebook: Political Censorship of the Arts and the Press in Nineteenth-Century; Robert Justin Goldstein Book 1989 Palgrave Macmillan, a division of

jealousy

流浪者

FATAL

s throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film. Appeals for democracy and social reform were especially suspect to the authorities, so in Russia cookbooks which refered to ‘free air‘ i

混合,搀杂

Book 1989 nineteenth-century European political censorship blocked the open circulation of much opposition writing and art, it never succeeded entirely in its aim since writers, artists and ‘consumers‘ often evaded the censors by clandestine circulation of forbidden material and by the widely practised skill of ‘reading between the lines‘.

细胞

Political Censorship of the Theatre,ghout the century. Furthermore, they typically exercised much harsher controls over the stage than had been exercised over the printed word. Thus, the 1822 drama-censorship rules of the Italian state of Tuscany declared,

残暴

Conclusions,he political censorship that sought to allay them. And, because the intensity of these fears varied from time to time and from place to place, the harshness of political censorship in different countries and periods during the nineteenth century was high variable.

bourgeois

Notify

locus-ceruleus

colony

Political Censorship of Caricature, and lofty regions of the beautiful and the traditional paths of the great masters.’ He warned against ‘seeking only the servile imitation of the least poetic and least elevated of what nature has to offer’.. Almost fifty years later, Kaiser Wilhelm II of Germany expressed the same outlook, in chara