Titlebook: Other Globes; Past and Peripheral Simon Ferdinand,Irene Villaescusa-Illán,Esther Pee Book 2019 The Editor(s) (if applicable) and The Autho

松果

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H. G. Wells and Planetary Prose,dpoint of astronomy and the increasing knowledge of the heavens by the end of the nineteenth century. This planetary moment in early modernist writing signals a critical tradition of planetary consciousness that links astronomical research to critiques of capitalism. This chapter asks how Wells’s pr

needle

Visions of Global Modernity in Hispano-Filipino Literature,obal modernity. Paz Mendoza’s travelogue . (1929) [Travel Notes] and Jesús Balmori’s novel .. . (1945) [Birds of Fire, A Filipino Novel about War] offer contrasting visions of the Philippines’ present and future, but they both relate this vision to the models of modern nationhood on offer in the fir

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NUDGE

World-Imagining from Below,iscourse, emphasizing how claims to planetary citizenship sound radically different depending on the position from which they are articulated. The emergent universalism of much planet-talk offers one more occasion to forget about colonial exploitation and continuing modes of immiseration and inequal

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Novelization in Decolonization, or, Postcolonialism Reconsidered,ce, invoking the theory of Mikhail Bakhtin on the concept of novelization, examining Edward Said’s critique of orientalism, and rethinking the tensions between postcolonialism and globalization as currently construed. The fate of the nation, nationhood, and nationalism is a significant subtext of th

Ablation

取之不竭

Weirding Earth: Reimagining the Global Through Speculative Cartographies in Literature, Art, and Mue possibility of producing accounts of Earth that could enhance our understanding of its deeper, ecological dimension in the face of climate change and globalization. Taking my cue from Bruno Latour’s geopolitics and Peter Sloterdijk’s spheres project, a speculative mode of global synthesis is prese

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,Planetary Lovers: On Annie Sprinkle and Beth Stephens’s , and receiver of polymorphous pleasures. Through the close reading of writings, performances, and the documentary .—. (2017), the essay shows how Sprinkle and Stephens contribute to queering the ecological imagination. In addition to complicating the gendered trope of Mother Earth, they draw attenti

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