Titlebook: Oral History and Photography; Alexander Freund,Alistair Thomson Book 2011 Alexander Freund and Alistair Thomson 2011 America.construction.

逃避现实

Mary Brockmeyer’s Wedding Picture: Exploring the Intersection of Photographs and Oral History Intervgues that family photo albums may be interpreted by exposing their “oral structure.”. Thus, a picture does not say more than a thousand words, but rather holds the potential to evoke multiple meanings.

煞费苦心

Using Press Photographs in the Construction of Political Life Storiesocratic Republic (GDR) in 1962; and his work for the newly formed Deutsche Kommunistische Partei (German Communist Party; DKP) after its formation in West Germany in 1968. To this day, Markus Hulsberg has remained a political activist, participating, for instance, in demonstrations and speaking at rallies as a member of the DKP.

多骨

“When I Was a Girl…”: Women Talking about Their Girlhood Photo Collectionscamera of her own, a gift for her 14th birthday, Irene’s collection contained mainly photographs that she had taken. Irene and Carol were not unusual in collecting photographs and making albums; these were common practices amongst middle-class girls growing up in England in the 1950s and 1960s.

Between

LOPE

Gentry

From Witness to Participant: Making Subversive Documentaryph or a recording) is simply a carrier by which the subject can communicate directly and without interference. The perception of inherent truth of documentary media, however, obscures how their meaning is created rather than revealed.

直觉没有

entail

发微光

“You Hear It in Their Voice”: Photographs and Cultural Consolidation among Inuit Youths and Eldersnd Inlet, in Nunavut, the Canadian central arctic territory established in 1999. Like all of the case studies discussed in this volume, the interviews that Natasha conducted centered around photographs as memory prompts and sites of social engagement (see Figure 5.1). Natasha recalled:

propose

2731-5673 os as memory triggers to their deployment in the telling of life stories. The book‘s contributors include both oral historians and photography scholars and critics.978-1-137-28062-6978-0-230-12009-9Series ISSN 2731-5673 Series E-ISSN 2731-5681