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Titlebook: On the Performance Front; US Theatre and Inter Charlotte M. Canning Book 20151st edition The Editor(s) (if applicable) and The Author(s) 20

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书目名称On the Performance Front
副标题US Theatre and Inter
编辑Charlotte M. Canning
视频video
概述Winner of the Joe A. Callaway Prize 2016
丛书名称Studies in International Performance
图书封面Titlebook: On the Performance Front; US Theatre and Inter Charlotte M. Canning Book 20151st edition The Editor(s) (if applicable) and The Author(s) 20
描述This book argues that US theatre in the 20th century embraced the theories and practices of internationalism as a way to realize a better world and as part of the strategic reform of the theatre into a national expression. Live performance, theatre internationalists argued, could represent and reflect the nation like no other endeavour.
出版日期Book 20151st edition
关键词International Performance; Nationalism and theatre; twentieth-century performance; 20th century; argue; H
版次1
doihttps://doi.org/10.1057/9781137543301
isbn_softcover978-1-349-58890-9
isbn_ebook978-1-137-54330-1Series ISSN 2947-4949 Series E-ISSN 2947-4957
issn_series 2947-4949
copyrightThe Editor(s) (if applicable) and The Author(s) 2015
The information of publication is updating

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2947-4949 ionalism as a way to realize a better world and as part of the strategic reform of the theatre into a national expression. Live performance, theatre internationalists argued, could represent and reflect the nation like no other endeavour.978-1-349-58890-9978-1-137-54330-1Series ISSN 2947-4949 Series
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Onstage II: ,, 1949,f . which he had directed, starred in and co-produced. The production had played at the Elsinore Festival in Denmark and at US military bases in occupied Germany. “The sad thing about our trip to Germany as we heard continually from the Military Company there and is being echoed by the State Departm
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,Onstage III: ,, 1952–1956,e thrilling intensity of the show had faded. In 2010 she told Michele Martin, the host of the National Public Radio show ., that she never regretted declining a Broadway show written by composer and lyricist Harold Arlen and writer Truman Capote to tour with the Everyman Company. “The producers of .
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