书目名称 | On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art | 副标题 | From 1870 to 1914 an | 编辑 | Filip Dorssemont | 视频video | | 概述 | Provides the first publication since 1992 on the subject.Presents the first labour lawyers approach to subject.Provides the first full European approach | 丛书名称 | Law and Visual Jurisprudence | 图书封面 |  | 描述 | .This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law...Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico...The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism...All stages of industrial disputes (from the causes | 出版日期 | Book 2024 | 关键词 | Strikes; Trade Unions; Political Strikes; History of Art; Social History; Social Realism in Art; Visual Cu | 版次 | 1 | doi | https://doi.org/10.1007/978-3-031-63634-9 | isbn_softcover | 978-3-031-63636-3 | isbn_ebook | 978-3-031-63634-9Series ISSN 2662-4532 Series E-ISSN 2662-4540 | issn_series | 2662-4532 | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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