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Titlebook: On Thomas Hardy; Late Essays and Earl Peter Widdowson Textbook 1998Latest edition Peter Widdowson 1998 discourse.English literature.essay.h

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发表于 2025-3-21 16:53:00 | 显示全部楼层 |阅读模式
书目名称On Thomas Hardy
副标题Late Essays and Earl
编辑Peter Widdowson
视频video
概述Hardy is a major figure in the literature canon and widely studied at school and university level. Peter Widdowson is a leading contemporary Hardy scholar.. The volume contains three entirely new piec
图书封面Titlebook: On Thomas Hardy; Late Essays and Earl Peter Widdowson Textbook 1998Latest edition Peter Widdowson 1998 discourse.English literature.essay.h
描述The author, a leading and influential critic of Thomas Hardy, brings together for the first time essays representing both his major critical work over the last fifteen years and three entirely new pieces.This volume allows readers to test the force of Widdowson‘s critical polemic in undispersed form.Readable, engaged and, no doubt, often infuriating, this is a book for all those who still regard Hardy as ‘our contemporary‘.
出版日期Textbook 1998Latest edition
关键词discourse; English literature; essay; history; knowledge; literature; modernising; sociology; Thomas Hardy; t
版次1
doihttps://doi.org/10.1007/978-1-349-26279-3
copyrightPeter Widdowson 1998
The information of publication is updating

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Thomas Hardy: A Partial Portrait (1996),ived majority, will also be transitional in that they modify by innovation the literary culture of which they are a part. As Thomas Hardy has so often been awarded the ‘transitional’ accolade, we may ask: is it any more illuminating in relation to him than it is to anyone else?
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Peter WiddowsonHardy is a major figure in the literature canon and widely studied at school and university level. Peter Widdowson is a leading contemporary Hardy scholar.. The volume contains three entirely new piec
发表于 2025-3-23 05:27:49 | 显示全部楼层
Hardy and Social Class: The Hand of Ethelberta (1989),Towards the end of The ., there is a scene in which the heroine narrates one of her ‘fictions’ to the guests at Lord Mountclere’s house. It is, in fact, the strangest of her fictions — the true story of her life and origins up to the point at which she enters society as fashionable widow and writer of poems:
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Postscript: The Film of ,Whenever I am faced with a film adaptation of a novel I know well, I play an impossible game which involves trying to imagine what someone would make of the film who knows nothing at all of the novel -nor, for good measure, of the author either.
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