Titlebook: Nonlinear Waves 3; Physics and Astrophy Andrei V. Gaponov-Grekhov (Academician),Mikhail I. Conference proceedings 1990 Springer-Verlag Berl

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P. A. Matusov,L. Sh. Tsimring the members of a scientific group, but, when asking for characteristics of such groups, one is referred back to the presence of a paradigm as the criterial attribute. In the ., however, this circularity is removed by the unambiguous statement that the detection and delineation of groups is a prereq

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L. A. Ostrovsky,Yu. A. Stepanyantscess to attention. In some respects, apparently, our brains are still a great deal more complicated than the biggest computer ever built” (1960, p. 51).. Despite the enormous developments in computer technology the same statement could still be made today without losing any validity. It is not so mu

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V. P. Reutov more acquainted with aerodynamic theory than the other, your conversation will probably follow a typical pattern. Somewhat hesitatingly, the interrogated layman might put forward that the engines, by sucking in massive amounts of air, pull the airplane in a forward direction. The amateur aerodynami

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formation of audience expectations and the creation of a dramatic illusion. It is quite another to show that the members of Shakespearian audiences were actually led to form those expectations and to collaborate in the creation of that illusion. One indication of a change in audience response is si

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V. V. Kocharovsky,Vl. V. Kocharovskyical writing, particularly before the twelfth century. It is true that a number of the very early Christian historians exhibit a great concern for chronology, but their concern is a very different thing from the modern desire to place events within a framework of abstract and objective time. In the

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Ya. I. Khanin,O. A. Kocharovskaya formation of audience expectations and the creation of a dramatic illusion. It is quite another to show that the members of Shakespearian audiences were actually led to form those expectations and to collaborate in the creation of that illusion. One indication of a change in audience response is si

Immortal

I. L. Maksimovical writing, particularly before the twelfth century. It is true that a number of the very early Christian historians exhibit a great concern for chronology, but their concern is a very different thing from the modern desire to place events within a framework of abstract and objective time. In the

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