Titlebook: Nineteenth-Century Serial Narrative in Transnational Perspective, 1830s−1860s; Popular Culture—Seri Daniel Stein,Lisanna Wiele Book 2019 Th

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Dead Man Walking: On the Physical and Geographical Manifestations of Sociopolitical Narratives in Gesationalist narrative. George Thompson’s . offers a personification of antebellum social ills with its ambiguous villain, the Dead Man. This chapter reflects upon this physical manifestation of surrounding moral decay and on the geographical circumstances of East Coast cities that enable evil subcul

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Slavery as Racial Dis/order in Antebellum America: The Case of the City Mystery Novelnstein, Emil Klauprecht, and Ludwig von Reizenstein launched serialized interventions on the unstable terrain of antebellum politics. Focusing on their treatment of slavery and their ambiguous representation of African American characters, this chapter reads these sensational urban crime narratives

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Book 2019when new printing techniques and an expanding infrastructure brought serial entertainment to the masses. Analyzing fiction and non-fiction narratives from the United States, France, Great Britain, Germany, Austria, Turkey, and Brazil, .Popular Culture—Serial Culture .offers a transnational perspecti

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Brazilian–French Cultural Contact in a Serial Format: The , (Rio de Janeiro, 1859–1862)nt cultural and national identity. Brazilian serials reflected both trends in the nineteenth century. This chapter analyses the role of the serial . as an example of the Brazilian–French cultural contact and the simultaneous search for Brazil’s own national literature.

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Serial Culture in the Nineteenth Century: G.W.M. Reynolds, the Many ,, and the Spread of Print press and on the literary marketplace. G.W.M. Reynolds’s . serves as a case study on the unruliness of the serial city mystery genre, as well as the necessity of centering the serial in discourse on nineteenth-century popular media.

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The Media Mysteries of Londond capitalize on the complexity of cultural and economic agency in the Victorian cultural industry. Moreover, his use of media in . offers a useful lens through which to contemplate the narrative and aesthetic strategies of contemporary quality television series.

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