Titlebook: Nineteenth-Century Serial Narrative in Transnational Perspective, 1830s−1860s; Popular Culture—Seri Daniel Stein,Lisanna Wiele Book 2019 Th

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Brazilian–French Cultural Contact in a Serial Format: The , (Rio de Janeiro, 1859–1862)nd interpreting cultural concepts and practices from Europe. With independence from Portugal, the literary scene also focused on creating an independent cultural and national identity. Brazilian serials reflected both trends in the nineteenth century. This chapter analyses the role of the serial . a

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A Distant Reading of the Ottoman/Turkish Serial Novel Tradition (1831–1908) and the novel largely sustained each other. Most of the early Turkish novels were serialized in periodicals in order to raise their circulation, while newspapers and magazines seemed to be the most proper means for introducing the new genre to the readers. This symbiotic relationship of the press a

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Between Hamburg and Boston: Frederick Gleason and the Rise of Serial Fiction in the United Statesen generally overlooked by scholars. They consequently view his story paper . and his illustrated . within the contexts of American nationalism and manifest destiny. Yet because Gleason maintained ties to Europe after immigrating, kept abreast of publishing trends there, and took an interest in cont

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Counting (on) Crime in De Quincey and Poe: Seriality, Crime Statistics, and the Emergence of a Mass erialized crime fiction on a mass market. This chapter uses Edgar Allan Poe’s Dupin stories and Thomas De Quincey’s “On Murder Considered as a One of the Fine Arts” as examples to argue that statistical accounts presenting crime as an everyday rather than an extraordinary occurrence pose a challenge

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Serial Culture in the Nineteenth Century: G.W.M. Reynolds, the Many ,, and the Spread of Printglobe by the end of the nineteenth century. Part of this network was an explosion of serial print media and terminology categorizing such media in the press and on the literary marketplace. G.W.M. Reynolds’s . serves as a case study on the unruliness of the serial city mystery genre, as well as the

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Of Ladies, Fruit Girls, and Brothel Madams: Womanhood and Female Sexuality in American City Mystery This chapter explores the cultural function of the representations of urban sexuality and womanhood in selected city mystery novels to shed light on the ways in which the genre’s serialized and ambiguous imaginations of urban female sexuality both contributed to and challenged the (re)production of