Titlebook: Nineteenth-Century Poetry and the Physical Sciences; Poetical Matter Gregory Tate Book 2020 The Editor(s) (if applicable) and The Author(s)

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978-3-030-31443-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Gregory TateOffers a wide-ranging assessment of how perceptions of poetry, science, and materialism changed over the course of the long nineteenth-century.Looks at how debates about the relation between poetry an

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Quotation and the Rhetoric of Experiment, of theoretical models of nature. The chapter examines the role of poetic quotation in the scientific naturalism of John Tyndall, in the natural theological arguments of Margaret Bryan and Robert Hunt, and in the metascientific writings of John Herschel and William Whewell.

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Words and Things in the Periodical Press,sing on press responses to the annual meetings of the British Association for the Advancement of Science, the chapter studies the intersection of poetic and scientific language in ., the ., ., ., and the ..

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,Tennyson’s Sounds,s and parodies of Tennyson’s poetry to illustrate the ways in which sound, existing at the same time as a material wave-pattern and as a subjective sensation, exemplified the epistemological authority and the limitations of scientific models of nature.

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Mathilde Blind: Rhythm, Energy, and Revolution,an egalitarian sympathy between people and things. Throughout her poetry, Blind combines materialist and idealist philosophies in her invocation of a universal and revolutionary motion which originates in matter, but which also guides the progress of human thought and history.