Titlebook: Nietzsche’s Nihilism in Walter Benjamin; Mauro Ponzi Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 nihilism.avant-garde.p

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Mauro Ponzieractions between food security, food production, consumptioThis volume discusses a broad range of vital issues encompassing the production and consumption of food in the current period of climate change. All of these add up to looming, momentous challenges to food security, especially for people in

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Capitalism as Religion,ng of Nietzsche who dedicates an section of Genealogy of Morality to this subject, claiming that guilt/debt can never be extinguished. Marx, another significant source quoted by Benjamin, talks of “public credit” as the “credo” of capital. Foucault demonstrates how the liberal mechanics of power are

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Nietzsche: Editions and Interpretations of His Works,e-Archiv (Weimar), directed by Nietzsche’s sister, Elizabeth-Förster, consisting partly in a manipulation of text, in assembling of fragments written in different years. The goal of Archive-Edition was to propagate Nietzsche as “precursor of Nazism”. Nevertheless many intellectuals of fin-de-siècle

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The Cry of Marsyas: History as a Place of Permanent Catastrophe,duel between industry and the future” as “the cry of Marsyas”. The playwright use myth as metaphoric language for his theatre. Müller’s vision of history as permanent catastrophe is expressed by the image of melancholic angel, drawn from Benjamin. Myth and history are not considered to be in opposit

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The Dream Space,ans that it is an insufficient interpretative key, incapable of resolving the ‘inexplicability’ of modern age. Benjamin, using some concepts if Freud, prefers awakening instead dreaming: awakening is namely the dialectical, Copernican turn of remembrance. To decipher the dream’s language we have to

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The Order of the Profane,ion from Eden, implying the promise of apokatastasis. The “ambiguity” of modernity consists in the fact that its redemption’s promise remains unfulfilled. The historical materialist collects objects apparently useless, but with allegorical value. Benjamin’s aporetic use of Jewish mysticism and Marxi