Titlebook: New Perspectives on Hispanic Caribbean Studies; Magdalena López,María Teresa Vera-Rojas Book 2020 The Editor(s) (if applicable) and The Au

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Book 2020ries move beyond those that are circumscribed by identity, nation, insularity, and the colonial epistemologies derived from these conceptions. Due to its cultural and historical specificities, the Hispanic Caribbean constitutes a focus of study crucial to re-thinking global dynamics today.

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onial epistemologies derived from these conceptions. Due to its cultural and historical specificities, the Hispanic Caribbean constitutes a focus of study crucial to re-thinking global dynamics today.978-3-030-51500-3978-3-030-51498-3

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The Caribbean Without a Sea: Approaches to Caribbean Immigration in Madrid, their representativeness and presence through social, economic and artistic activities and cultural practices that—framed within the identity, national and/or regional practices confined to the Caribbean zone—have been developing in the Spanish capital. And how these cultures interact with each oth

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Introduction: New Theoretical Dialogues and Critical Reflections on Hispanic Caribbean Studies,ibbean studies. It describes the focus of the volume in the analysis and exploration of art, literature and activism, which escape from ontologising and causalist hermeneutics. Starting from a problematisation of the hegemonic archive of scholarly criticism on the region, this chapter advances the n

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Towards an Archipelagic Effect ( ): Poetics, Politics and Sensorium in the Caribbean,of the image that emerged from certain literary experiences that have approached and engaged with the Caribbean. How can we consider an archipelagic experience of the Caribbean without surrendering its historical and aesthetic singularities to a geographical, cartographical or demographic rendition

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Place Becoming Space: Nation and Deterritorialisation in Cuban Narrative of the Twenty-First Centuriterature. Many contemporary works of fiction, though, conceptualise place as a problem. In contrast with identitary projects, the chapter analyses different ways in which contemporary Cuban writing plays with non-referentiality and displacements, the erasure of the nation’s name, and the deconstruc

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Sea/See Fluids, Reimagined Landscapes: Looking into Lesbian Desire in , and ,xican co-production, . (2014), directed by Israel Cárdenas and Laura Amelia Guzmán, to demonstrate how they allow us to conceive other ways of looking at, and representing lesbian desire that not only problematise but also resignify the colonial tropes that have normalised the sexualisation of the f