Titlebook: New Directions in Contemporary Australian Poetry; Dan Disney,Matthew Hall Book 2021 The Editor(s) (if applicable) and The Author(s), under

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resistant

Writing Unwriting Writingunsettling of ongoing colonial appropriations of Indigenous Country. The essay reads two poems by John Kinsella which he designates “spatial concretions” or “demappings” as forms for unsettling unwriting on Country. Asking whether settler poets can share decolonization, the essay considers poetry bo

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谷物

Against Place (the Lyrebird Shows the Way)perialist practice. Chiefly, thinking about place negates the diverse lives and forces upon which a habitat depends. Drawing on the work of Heriberto Yépez, Cooke concludes that place is an “absolutist fiction.” Instead, he turns to the lyrebird (. and .) as a conceptual totem for an ethical, Austra

Ovulation

Disembodying and Reembodying the Poem as Act of Acknowledgment of Land Rights and a Rejection of “Prion of ‘Property’: On Acts and Actioning of Environmentally-concerned Poetry.” The author deletes themself to qualify their recognition that they should have no power over discussing land as it pertains to Indigenous people and that the nation-state is antithetical to justice and the restorative nat

exclusice

Space, Place, Materiality in Contemporary Australian Poetrynd, and Lionel Fogarty. The chapter begins with a brief description of the work of Barron Field in the early nineteenth century—the founding instance of colonial poetry in Australia—which established the English language, the codex, print, and Romantic poetic concerns as the dominating conditions of

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