Titlebook: Netflix and the Re-invention of Television; Mareike Jenner Book 20181st edition The Editor(s) (if applicable) and The Author(s) 2018 binge

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Mareike Jenner FEM convergence for elliptic PDEs with boundary conditions.This monograph focuses on the mathematical and numerical analysis of simplicial partitions and the finite element method. This active area of research has become an essential part of physics and engineering, for example in the study of prob

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FEM convergence for elliptic PDEs with boundary conditions.This monograph focuses on the mathematical and numerical analysis of simplicial partitions and the finite element method. This active area of research has become an essential part of physics and engineering, for example in the study of prob

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d infinity-categories.Includes complete proofs of all the baThis open access book offers a self-contained introduction to the homotopy theory of simplicial and dendroidal sets and spaces. These are essential for the study of categories, operads, and algebraic structure up to coherent homotopy. The d

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New Regimes of Control: Television as Convergence Mediumged as technologies that changed the function of the television set from medium that exclusively transmits broadcasting signals to medium that can be used to watch films at home, record and time-shift television programmes or play video games. Thus, ancillary technologies transform the set into central ‘hub’ of media convergence.

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Introduction: Binge-Watching Netflixdiscussed in the chapters of Part I. However, building on these ideas of previous ancillary technologies, the analysis of Netflix in the following chapters also shows how it has pushed the concept of binge-watching to the forefront in its own structuring, branding and marketing.

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‘Quality’, ‘Popular’ and the Netflix Brand: Negotiating Taste or . (Netflix, 2015–) and its later movement towards more conventional sitcoms like . (Netflix, 2016–) or . (Netflix, 2017–). It is particularly the sitcom, with its long tradition as televisual genre, that betrays how problematic Netflix’ structure can be when it comes to the negotiation of ‘quality’ and ‘taste’.