Titlebook: Neoliberalism and Global Theatres; Performance Permutat Lara D. Nielsen (Assistant Professor),Patricia Yba Book 2012 Palgrave Macmillan, a

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CANT

Archeologies of Empire: Colonial Hollywood and the Neoliberal Academyion. Though coloniality is deeply invested in a global process of spatio-temporal transformation and neoliberalism takes as its starting point the redefinition of the human subject as rational actor (that is, a shift from . to .), both logics permeate intersubjective and transnational practices.

Limousine

promote

Teatro Visión and the Limits of Chicano Politics in Neoliberal Spaceveloped within a neoliberal agenda in which particular technical skills are becoming envisaged as universal and not necessarily requiring such contextual specificities” (43). According to this logic, professional knowledge is fungible and de-localized, and local knowledge is implicitly and sometimes explicitly devalued.

改变立场

Repairing Teatro Oficina Perdizer independent theatre artists. In particular, I have seen how the spaces in which we rehearse and perform impact on our overall artistic development and sustainability. Ultimately, without a viable space to rehearse and/or perform, theatre-making—whether it be group theatre and experimental or otherwise—is at risk.

不易燃

Unchecked Popularity: Neoliberal Circulations of Black Social Dance and questioning cast in terms that involve active physical exploration (DeFrantz 2004). In local contexts of black communities, social dances function as essential agents of cultural expression, at once precious and freely available to those who engage their practice.

Silent-Ischemia

Introduction: Heterotopic Transformations, The (Il)Liberal Neoliberaltly conjunctions of neoliberalism and finance capitalism as new and globalizing forms of war. Where neoliberalism proposes a “free” market ideology for reorganizing labor and resource management, finance capitalism is a radicalizing mechanism of income redistribution, transferring income from the re

EVICT

Nintendo Museum: Intercultural Pedagogy, Neoliberal Citizenship, and a Theatre without Actorso a ground-breaking experiment in what has become known as “the new museology.” A massive, ongoing audit of the nation’s beliefs, a tourist attraction extraordinaire, an elaborate enterprise in public pedagogy, the museum is quite unlike its predecessor, the Dominion Museum (formerly the Colonial Mu

insidious

CRACK