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Titlebook: Neo-Victorianism and Sensation Fiction; Jessica Cox Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Victorian.novel.contemp

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发表于 2025-3-21 19:22:54 | 显示全部楼层 |阅读模式
书目名称Neo-Victorianism and Sensation Fiction
编辑Jessica Cox
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概述The first book to examine the impact of the Victorian sensation novel on contemporary fiction.References texts across media beyond literary works.Examines a broad range of work by well-known authors f
图书封面Titlebook: Neo-Victorianism and Sensation Fiction;  Jessica Cox Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Victorian.novel.contemp
描述.This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations. In doing so, it forces a reappraisal of critical understandings of neo-Victorianism in terms of its origins and meanings, as well as offering an important critical intervention in popular fiction studies. The work traces the afterlife of Victorian sensation fiction, taking in the neo-Gothic writing of Daphne du Maurier and Victoria Holt, contemporary popular historical detective and YA fiction by authors including Elizabeth Peters and Philip Pullman, and the literary fiction of writers such as Joanne Harris and Charles Palliser. The work will appeal to scholars and students of Victorian fiction, neo-Victorianism, and popular culture alike..
出版日期Book 2019
关键词Victorian; novel; contemporary; popular; neo-sensation
版次1
doihttps://doi.org/10.1007/978-3-030-29290-4
isbn_softcover978-3-030-29292-8
isbn_ebook978-3-030-29290-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
The information of publication is updating

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Criminal Sensations: Neo-Victorian Detectivesement with popular culture..This chapter traces the detective descendants of the sensation novel from Sherlock Holmes through to contemporary neo-sensational detective fiction, examining the way in which the specific tenets of the sensation novel (including the domestic setting, the emphasis on fami
发表于 2025-3-22 05:29:44 | 显示全部楼层
Repackaging the Sensation Novel: Neo-Victorian Young Adult Fictionmber of YA titles employing a Victorian setting, neo-Victorian scholarship to date has paid relatively little attention to YA fiction. This chapter offers a critical assessment of the emerging genre of neo-Victorian YA writing in relation to its engagement with the nineteenth-century sensation novel
发表于 2025-3-22 10:40:16 | 显示全部楼层
(Re)Presenting (Sexual) Traumain the traumatic events of the past, and their long-lasting effects on those involved. This chapter considers representations of trauma in (neo-) sensation (literary and filmic) texts, focusing in particular on adaptations of Wilkie Collins’s . (1860). In multiple reimaginings of Collin’s novel, Lau
发表于 2025-3-22 13:28:33 | 显示全部楼层
Excavating the Victorians: Digging Up the Pastntific interests, and reflecting both nineteenth-century and contemporary anxieties about identity, origins, the past, and the future. This chapter explores the plethora of historical tropes in neo-Victorian, and specifically neo-sensation fiction, contending that these serve as a metaphor for the n
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impact of business being able to assist in reducing poverty and promoting equality of opportunity. There are well recorded instances of poor decision making, plainly unethical actions, and abuse of communities by businesses.There are two issues which are poorly understood but vitally important in th
发表于 2025-3-23 08:16:32 | 显示全部楼层
Jessica Coximpact of business being able to assist in reducing poverty and promoting equality of opportunity. There are well recorded instances of poor decision making, plainly unethical actions, and abuse of communities by businesses.There are two issues which are poorly understood but vitally important in th
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