Titlebook: Negotiation, Auctions, and Market Engineering; International Semina Henner Gimpel,Nicholas R. Jennings,Christof Weinha Conference proceedin

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Carsten Block,Dirk Neumanncentury, in particular, English books became remarkably thick with the personal. It is now usual, of course, to evaluate literary works of this period in relationship to the self; “personal” in criticism concerned with the self typically refers to a new interest in subjectivity and inwardness.. Yet

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Tilman Eichstädtshed confidence in seeing culture “whole,” or even extensively; we now tend to analyze culture not in book-length studies but in essays.. And such essays typically employ a critical genre of relatively recent origin: “thick description.” Thick description can be said to have changed the way literary

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Thomas Kittsteiner,Axel Ockenfels texts. In addition to this emphasis on the personal, literary works of the early modern period in England tend to be unusually copious—thick, that is, with “stuff,” including quotations of other texts, as well as descriptions of and references to material from the world outside their pages.. Such c

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Björn Schnizlercentury, in particular, English books became remarkably thick with the personal. It is now usual, of course, to evaluate literary works of this period in relationship to the self; “personal” in criticism concerned with the self typically refers to a new interest in subjectivity and inwardness.. Yet

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Shaheen S. Fatimathe concept remains unchanged since Shakespeare first created his remarkable range of vocal women; women who continue to speak their truth about the world, no matter what means others employ to silence them. It has never been considered a particular virtue for a man to be silent, though one who chos

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or modify them to a point of similarity, but offers, instead of argument, an aesthetic resolution of the tension between sociability and solitude, between the active and contemplative lives. Pastoral portrays a way of life associated with the contemplative ideal, with retirement, privacy, reflectiv

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cas, soon to be Margaret Cavendish (1623–73) (Figure 8.1), who was thirty years his junior. And they cast their brothers, Charles and Henry, as the two Stellows, heroes who liberate the three female cousins of Luceny and Tattiney from the castle of Bellamo.