Titlebook: Natural History Dioramas; History, Constructio Sue Dale Tunnicliffe,Annette Scheersoi Book 2015 Springer Science+Business Media Dordrecht 2

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History of Dioramasackground paintings and natural or artificial requisites. The theory behind these illusions stemmed partly from ideas such as Gilpin’s “picturesque beauty”, discussed by philosophers at the end of the eighteenth century. Technical innovations by Barker, Daguerre and others led to a rapid development

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Habitat Dioramas as Historical Documents: A Case Studyctural necessities, or ignorance. Here I argue that good habitat dioramas are part of our cultural heritage and should be treated as such. They combine ideas of visual conception with art, technology, science, and history, and deserve the same respect and responsible treatment as other pieces of fin

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A Window on the World—Wildlife Dioramastory museums. Dioramas may appear obsolete in comparison with modern films, television and digital displays, but they still retain important advantages. Their effectiveness and limitations are compared with those of still photography.

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Dioramas as Constructs of Reality: Art, Photography, and the Discursive Space representations of a natural habitat. Built specifically to allude to the animals’ natural environment within the landscape, the aim of these dioramas was to contrive a natural habitat in a realistic illusion of the natural world and to enhance the perception of landscape as a sense of place. Criti

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Displaying Eco-Scenes with Techniques of Diorama Representationiang Museum of Natural History (China), diorama representations are used to create bio-scenes full of artistic conceptions in a limited space with the prototype of model areas, through the scientific refinement of original materials, vivid representation, artistic generalization and creation of stor

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