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Titlebook: National Security and International Environmental Cooperation in the Arctic — the Case of the Northe; Willy Østreng (Director of the Fridt

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Willy Østreng documentary contexts available in the same archive to give a different, though insistently historical, account of Torricelli’s motivations for and conceptualization of his labors. The paper does not conclude by claiming a new and definitive revisionist interpretation of Torricelli’s mercury esperie
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Franklyn Griffithsortrait (Marin 1988), as well as Walter Benjamin’s argument on the centrality of allegorical practices in Baroque theatre (Benjamin 1977), I shall isolate two additional arenas in which Baroque forms of representation and allegory were used: in Galileo’s attempt to cope with the visual evidence abou
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Willy Østrengpers 1984, 122), and Vermeer is setting a contrast between two modes of knowledge: the theatrical, poetic, historical narrative represented by Clio; and the visual exactness and immediacy of the .—the mathematically drawn, factual map (Alpers 1984, 119–123; 166–167).
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