Titlebook: Nation and Race in West End Revue; 1910–1930 David Linton Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Colonialism.Burles

corporate

in London: Black Internationalism and the Black Imaginary, presence that marked a period of possible recognition and change, that challenged and reformulated new ideas about identity and nation. Travelling African-American revues and their stars became feted as representatives of a global cosmopolitan culture in the metropolis.

Intractable

PACT

,Degeneration/Regeneration—The Remaking of Nation in Wartime West End Spectacular Revue,West End revue this renegotiation had a slightly different register: rather than a breaking down of traditional gender roles and identities, as indeed there was in other spheres, I argue that wartime revue performance displayed a regenerative nationalism that sought a remasculinisation of British culture.

博识

串通

978-3-030-75211-8The Editor(s) (if applicable) and The Author(s) 2021

CLOT

Heretical

Palgrave Studies in British Musical Theatrehttp://image.papertrans.cn/n/image/661386.jpg

里程碑

https://doi.org/10.1007/978-3-030-75209-5Colonialism; Burlesque; Commedia; Music hall; Pantomime; Minstrelsy; Pierrot

defibrillator

Reading London West End Revue,or the dissemination of national ideology. This chapter draws on current theoretical debates across performance and theatre history, cultural theory and intercultural developments in British performance research.

Ingredient

,Revue in the Modern World: Possibilities and Perils—West End Identities,entification in revue, especially in its dramatic and cultural form, where revue consciously played with linear narrative and performance frameworks and challenged, musical comedy’s utopian vision by offering opposing critiques of social and cultural change.