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Titlebook: Narratives of Motherhood and Mothering in Fiction and Life Writing; Helena Wahlström Henriksson,Anna Williams,Margaret Book‘‘‘‘‘‘‘‘ 2023 T

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Jenny Björklundchnitt geregelte Schuldverhältnisse, denen gerade . zugrunde liegt: das Recht der Geschäftsführung ohne Auftrag (§§ 677 ff. BGB), das Recht der ungerechtfertigten Bereicherung (§§ 812–822 BGB) sowie das Deliktsrecht (§§ 823–853 BGB). Es handelt sich um so genannte ..
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2731-6440 ations;maternality and memory; and the (im)possibilities of giving voice to the mother. They raise questions about how motherhood and mothering are marked by absence and/or presence, as well as by profound ambi978-3-031-17213-7978-3-031-17211-3Series ISSN 2731-6440 Series E-ISSN 2731-6459
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Ambivalent Narratives of Motherhood and Mothering: From Normal and Natural to Not-at-all,dy of mothers in fiction and life writing, across many differences. Since mothers, motherhood, and mothering not only are defined by physical and material experiences but also take shape in narratives—in stories and recorded accounts—these also need to be continuously studied and theorized if we are
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,One Hand Clapping: The Loneliness of Motherhood in Lucia Berlin’s “Tiger Bites”,ut in secret, literary fiction makes these experiences visible, meanwhile exposing the circular nature of women’s history. In this chapter, intergenerational experiences of motherhood are examined in Lucia Berlin’s short story “Tiger Bites,” which tells the story of a young mother seeking abortion i
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,“their mothers, and their fathers, and everyone in between”: Queering Motherhood in Trans Parent Mele, and fluid. Boylan, a university professor at Colby College in Maine and best-selling author, reveals that she is a transgender woman, formerly a husband in a long-term marriage, and father of two. Boylan writes from her position as a second mother to her children, and as the still-married partne
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,Orality/Aurality and Voice of the Voiceless Mother in Abla Farhoud’s ,p in women’s writing for several decades. This chapter explores the literary representation of the voice and the perspective of a seemingly voiceless migrant mother who is silent in the language of the host country through the novel . (1998) (.) by the Canadian Quebecois author of Lebanese origin, A
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