Titlebook: Narrating the New African Diaspora; 21st Century Nigeria Maximilian Feldner Book 2019 The Editor(s) (if applicable) and The Author(s), unde

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沙文主义

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Console

Leaving Nigeria: Ike Oguine, Sefi Atta, Chimamanda Ngozi Adichie,, and the re-evaluation of one’s expectations. Several of Atta’s and Adichie’s short stories share these concerns but differ by including the option of a return to Nigeria. Thus, they reflect the back-and-forth movements that distinguish the forms of migration depicted in Nigerian diaspora literature more generally.

inflame

,Second-Generation Nigerians in England: Helen Oyeyemi’s , (2005) and the Negative Experience of Hybshe is exposed to. The novel itself is an example of hybrid literature, elaborately layered and informed by a mixture of English and Nigerian cultural references and employing different discourses, including Western psychology, Yoruba folk traditions, and postcolonial ghost stories.

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CODA

,Return Migration in Chimamanda Ngozi Adichie’s , (2013), one-directional. Instead, it exemplifies migratory processes that, as in Nigerian diaspora literature more generally, are multidirectional and oscillating between the continents and illustrates an attachment to Nigeria that might best described as ‘rooted cosmopolitanism’ (Kwame Anthony Appiah).

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Contexts: New African Diaspora, Nigerian Literature, and the Global Literary Market,tribution to the Nigerian imaginary. Thirdly, the chapter discusses the global literary market and the category of ‘African literature’. In order to get published, writers from Africa need to fulfil several requirements, including marginality, cultural difference, mobility/migration, and political engagement and resistance.

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FIR

Book 2019ozi Adichie, Sefi Atta, Helon Habila, Helen Oyeyemi, Taiye Selasi, Chika Unigwe, Chris Abani, and Ike Oguine. As members of the new African diaspora, their literature captures experiences of recent Nigerian migration to the United States and the United Kingdom. Examining representative novels, such