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Titlebook: Mockumentary Comedy; Performing Authentic Richard Wallace Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Comedy.Mockumentar

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发表于 2025-3-21 16:46:55 | 显示全部楼层 |阅读模式
书目名称Mockumentary Comedy
副标题Performing Authentic
编辑Richard Wallace
视频video
概述Offers an altogether new approach to investigating one of contemporary film and television’s most popular and persistent narrative modes.Brings a number of film and television texts into critical disc
丛书名称Palgrave Studies in Comedy
图书封面Titlebook: Mockumentary Comedy; Performing Authentic Richard Wallace Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Comedy.Mockumentar
描述This book is the first to take comedy seriously as an important aspect of the popular mockumentary form of film and television fiction. It examines the ways in which mockumentary films and television programmes make visible—through comedy—the performances that underpin straight documentaries and many of our public figures. .Mockumentary Comedy. focuses on the rock star and the politician, two figures that regularly feature as mockumentary subjects. These public figures are explored through detailed textual analyses of a range of film and television comedies, including .A Hard Day’s Night, This is Spinal Tap, The Thick of It, Veep. and the works of Christopher Guest and Alison Jackson. This book broadens the scope of existing mockumentary scholarship by taking comedy seriously in a sustained way for the first time. It ultimately argues that the comedic performances—.by. performers and of documentary conventions—are central to the form’s critical significance and popular appeal. .
出版日期Book 2018
关键词Comedy; Mockumentary; Documentary; politics; film; Television; The Beatles; post-truth; performance
版次1
doihttps://doi.org/10.1007/978-3-319-77848-8
isbn_softcover978-3-030-08554-4
isbn_ebook978-3-319-77848-8Series ISSN 2731-4332 Series E-ISSN 2731-4340
issn_series 2731-4332
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
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发表于 2025-3-21 20:16:08 | 显示全部楼层
Book 2018holarship by taking comedy seriously in a sustained way for the first time. It ultimately argues that the comedic performances—.by. performers and of documentary conventions—are central to the form’s critical significance and popular appeal. .
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https://doi.org/10.1007/978-3-319-77848-8Comedy; Mockumentary; Documentary; politics; film; Television; The Beatles; post-truth; performance
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978-3-030-08554-4The Editor(s) (if applicable) and The Author(s) 2018
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Mockumentary Comedy978-3-319-77848-8Series ISSN 2731-4332 Series E-ISSN 2731-4340
发表于 2025-3-23 07:53:35 | 显示全部楼层
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