Titlebook: Memories of Resistance and the Holocaust on Film; Mercedes Camino Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 history.H

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The Editor(s) (if applicable) and The Author(s) 2018

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Mercedes CaminoElaborates a cultural history of the Holocaust and resistance in WWII.Offers an original treatment of films as historical sources (both primary and secondary).Investigates WWII as a civil war through

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https://doi.org/10.1057/978-1-137-49969-1history; Holocaust; resistance; World War II; Jews; Cinema

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,The Collaborator (1969–74),occupied countries was embedded in daily life, as much a political option as a form of survival or a means to obtain economic benefits. Although collaboration is often presented cinematically through secondary characters, it becomes the driving force in Bernardo Bertolucci’s . (. 1970), Louis Malle’

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,Holocaust Testimony: Survivors, Ghosts and Revenants (1947–2002),t survivors, revenants and witnesses. Their testimonies effectively embody the liminal space between life and death. best exemplified by the . who lives in a ‘state of exception’, as outlined by Levi in . (1947) and defined by Giorgio Agamben. Early films that established witnessing as a sub-genre o

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