Titlebook: Masculinity, Class and Music Education; Boys Performing Midd Clare Hall Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 choi

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Clare Hallxpect this book’s publication will mark an important milestone in the continuing worldwide development of microsystems. By bringing together all aspects of microsystem design, it can be expected to facilitate the training of not only a new generation of engineers, but perhaps a whole new type of eng

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Clare Hallxpect this book’s publication will mark an important milestone in the continuing worldwide development of microsystems. By bringing together all aspects of microsystem design, it can be expected to facilitate the training of not only a new generation of engineers, but perhaps a whole new type of eng

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rged as a new technology with enormous application potential. MEMS manufacturing techniques are essentially the same as those used in the semiconductor industry, therefore they can be produced in large quantities at low cost. The added benefits of lightweight, miniature size and low energy consumpti

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Introduction: Making Masculinities Through Music,ntroductory chapter brings the reader into the book’s terrain of sociology, music and education. The main questions explored in this book are articulated, which are about how the specific kind of masculinity of this group of boys is ‘made’ through their experiences in learning to become a choirboy.

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Gendering the Boy Voice,esearch on adolescent masculinity studies, male vocality, gender-class issues in music education scholarship and trends in music participation such the ‘missing males’ in boys’ singing. A critique of these discourses establishes the warrant for fresh sociological insights in the construction of the

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Venerating Angels,cal view of the cultural fascination with the boy voice. Broad in scope, this chapter encompasses music and choral history, popular culture and media as a means of unpacking the dynamic intersections between gender, class and culture within the particular musical milieu of boys’ choirs. The historic