Titlebook: Masculine Identity in Modernist Literature; Castration, Narratio Allan Johnson Book 2017 The Editor(s) (if applicable) and The Author(s) 20

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absorbed

Evocative

The Sense of a Beginning,ily seen as a movement concerned with the fragmentation of identity, of the splintering of selves into a proverbial cubist image, by the 1940s these fragmentations where being gathered together, swept into great dustbins and a sense of order was cautiously erected.

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ry of how interwar writers reimagined material medical issueThis book is about the modernist narrative voice and its correlation to medical, mythological, and psychoanalytic images of emasculation between 1919 and 1945. It shows how special-effects of rhetoric and form inspired by outré modernist de

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Introduction,teral and metaphorical images of castration were used to mould literary culture between the wars, and how this literary culture, in turn, reflects historical understandings of modern discontent and, oftentimes, a surprising optimism.

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Petechiae

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,,. Each of these texts is profoundly animated by the losses of war but curiously and consistently avoids acknowledging war at all until the very final moments. The primary focus of this analysis is the disconcerting demonstration made by these texts that life was permanently unsettled, and that primo

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