Titlebook: Martin Amis: Postmodernism and Beyond; Gavin Keulks (Associate Professor of English) Book 2006 Palgrave Macmillan, a division of Macmillan

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Under the Dark Sun of Melancholia: Writing and Loss in ,d distinctively postmodernist,” “disjointed and fragmentary, disunified and mediated, entropic and dynamic” (Keulks, 193). More than . or ., however, . should also be defined as large-scale agony fiction in the sense that private, pitiful anxiety is both ruthlessly satirized and heeded for its parad

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,A Reluctant Leavisite: Martin Amis’s “Higher Journalism”,t of D.H. Lawrence, and elitist posturing. In his two articles under the pseudonym of “Bruno Holbrook,” for instance, Amis presents a tongue-in-cheek alternative to Leavis’s dour rhetorical stance and intellectual snobbery. Moreover, Leavis at times appears in Amis’s nonfiction as a kind of synecdoc

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,Money Makes the Man: Gender and Sexuality in Martin Amis’s ,of the text that focuses on the unstable borders of identity and desire, this essay demonstrates that . subverts the ideology of its bigoted protagonist by deconstructing the heteropatriarchal concepts “woman” and “man” and creating what Judith Butler terms “gender trouble.”

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Introduction, whose life has veered into celebrity, such evaluations have not always been civil or reciprocally welcomed. However, they have always been lively, always been edifying, and they continue to confirm Amis’s status as one of England’s most important living writers.