Titlebook: Marlowe and Shakespeare; The Critical Rivalry Robert Sawyer Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Ben Johnson.Mich

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ussed rivalries in literary history.Examines the critical an.Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific exampl

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,The Seventeenth Century: “Collaboration, Co-Authorship, and the Death of the Author(s)”,rayton and Ben Jonson. I also consider the self-positioning of the latter critics in relation to Marlowe and Shakespeare as “Authors,” as well as their rhetorical structuring of the Marlowe/Shakespeare relationship in order to articulate and validate their own critical positions.

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,The Twentieth Century: “Formalization, Polarization, and Fictionalization”,uch as Irving Ribner, who was heavily influenced by the polemics of the Cold War, the chapter concludes with an examination of fictional and cinematic representations of the connection toward the latter part of the twentieth century, including novels by Anthony Burgess, films such as ., and plays like Peter Whelan’s ..

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Book 2017ights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare’s ghostwriter accelerates due to a climate of conspiracy, including “belief echoes,” which presently permeate our cultural and critical discourse..