Titlebook: Mapping Precarity in Contemporary Cinema and Television; Chronotopes of Anxie Francesco Sticchi Book 2021 The Editor(s) (if applicable) and

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or The Economy of Massacre the film also enacts a specific dialogical construction, where social relations are conceivable only in predatory terms. . allows us to engage with the ethical dilemmas lying at the centre of every struggle for social emancipation, advocating the elaboration of a completely new mode of collective experience.

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Border as Method and Precarious Cinematic Citizenships: ,, ,, and these works define particular forms of lived precarious citizenships associated with chronotopes of expulsion but, at the same time, trigger particular dialogical reversals of the notions of identity and belonging within our globalised and fragmented world.

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Cinematic Memories of an Infected Planet: lleneuve 2017). These case studies all share a similar chronotopic construction in offering visions of an ‘infected’ and posthuman planet; exactly for this reason, in different ways, they also enact processes of ethical reinvention, since they allow viewers for reconsidering their places as parts of complex ecological systems.

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Italian Peripheral Cinema: , and re existentially separated from these opportunities. The two films at the centre of the discussion will be . (Caligari, Produced by Paolo Bogna, Valerio Mastandrea, et al. Italy: Kimerafilm, Rai Cinema, et al. DVD, 103 mins, 2015) and . (D’Innocenzo Bros., Produced by Ivan D’Ambrosio. Italy: Pepito Produzioni. DVD, 95 mins, 2018)

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ntains more than 150 problems with complete solutions, as well as some practical examples which make moderate use of personal computers. This will be appreciated in particular by students using this textbook to978-3-662-55490-6Series ISSN 1868-4513 Series E-ISSN 1868-4521

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