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Titlebook: Mapping Precarity in Contemporary Cinema and Television; Chronotopes of Anxie Francesco Sticchi Book 2021 The Editor(s) (if applicable) and

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and ,: Becoming Algorithmn the episode . (3x01, 2016), highlighting how it enacts specific chronotopic dimensions of anxiety connected with the dynamics of digital labour and of the algorithmic capitalism. These same chronotopic motifs will be associated with experiential patterns presented in other episodes of the series.
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Italian Peripheral Cinema: , and successful movies, the periphery has become a central setting for the expression of particular forms of precarious lives. The periphery as chronotope of depression is enacted through the absence of possibilities and existential alternatives for the subjects inhabiting it. More specifically, the per
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or The Economy of Massacred section of the book offers a detailed account of Bong Joon-ho’s latest acclaimed film . (2019). While presenting an extremely class-divided society, the film also enacts a specific dialogical construction, where social relations are conceivable only in predatory terms. . allows us to engage with t
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Border as Method and Precarious Cinematic Citizenships: ,, ,, and es, formally and practically parts of larger communities, although forced to undergo specific states of insecurity and progressive destitution. Thus, these works define particular forms of lived precarious citizenships associated with chronotopes of expulsion but, at the same time, trigger particula
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