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Titlebook: Making Strategy and Organization Compatible; Claude Michaud,Jean-Claude Thoenig Book 2003 Palgrave Macmillan, a division of Macmillan Publ

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发表于 2025-3-21 18:01:18 | 显示全部楼层 |阅读模式
书目名称Making Strategy and Organization Compatible
编辑Claude Michaud,Jean-Claude Thoenig
视频videohttp://file.papertrans.cn/622/621759/621759.mp4
图书封面Titlebook: Making Strategy and Organization Compatible;  Claude Michaud,Jean-Claude Thoenig Book 2003 Palgrave Macmillan, a division of Macmillan Publ
描述This book argues that for many companies organisation is designed to achieve operational optimization and may be in conflict with strategic objectives. Managers may not share similar decision criteria and this may facilitate or hinder the fulfilment of certain strategies. The role of top managers is to shape to a large extent the ability of the organisational system to implement and achieve strategic objectives. This book provides breakthrough thinking on these issues by two leading academic thinkers.
出版日期Book 2003
关键词complexity; General Management; management; Manager; Organisation; organization; organizations; strategy
版次1
doihttps://doi.org/10.1057/9780230512085
isbn_softcover978-1-349-51056-6
isbn_ebook978-0-230-51208-5
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2003
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Claude Michaud,Jean-Claude Thoenigmacy are explained: this approach takes for granted that formal thinking processes are present in many cultural traditions, but ‘disguised’ in a variety of ways. In order to understand and map this variation FORMA is developed. This is a ‘frame of reference for mathematical activities’: a research d
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Claude Michaud,Jean-Claude Thoenigvast area of habits, actions and products are shown to have mathematical relevance, or to express mathematical skills. For each of the categories of the FORMA ethnographic contexts are brought into the discussion, showing the relevance and the potential educational surplus of particular types of kno
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Claude Michaud,Jean-Claude ThoenigEuropean music transformed by three strands of Modernism: Debussy’s ‘Impressionism’, Schoenberg’s . music, Stravinsky’s rhythmic revolution. Composers needed to preserve past beloved traditions while venturing down fresh paths, developing styles expressing fast-changing reality. Most continued to co
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