Titlebook: Make Believe in Film and Fiction; Visual vs. Verbal St Karl Kroeber Book 2006 Karl Kroeber 2006 corpus.culture.ethics.expectation.experienc

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,Inside and Outside Somebody Else’s Fantasy, term popularized by a story of Rudyard Kipling’s. Soon critics were discovering in her fiction qualities to which she had humorously laid claim a century before in ., where she describes a good novel as

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Innovative Lawfulness: Learning to Read,nimals use. Human speech alone enables us to enter into one another’s dreams, aspirations, ideas, memories, desires, all that is imagined. Through such communication of the subjective arise enduring creations of myth, history, religion, and literary art that are the essence of every civilization.

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,Form in Visual Storytelling: Buster Keaton’s ,er will be hesitant to enter into the story (Lesser, 46–48). Verbal storytelling tends to begin cautiously, because it may so hugely magnify the psychic tension-building Freud identified as the essence of verbal jokes. A visual joke, especially slapstick, carries less personal threat—we see it happe

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Genre and the Transforming of Sources: ,ctor Fred Zinneman were of course important, but everyone from the producer Stanley Kramer to the final editor John Edwards participated in almost every aspect of the shaping the picture—even Dimitri Tiompkin, the Russian Hollywood veteran composer whose fake Western ballad contributed much to the m

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d Geräteskizzen erleichtern die praktische Anwendung der Objektempathie und unterstützen damit den selbsterfahrungsbezogenen objektempathischen Kompetenzerwerbsprozess..978-3-658-23738-7978-3-658-23739-4

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