Titlebook: Love in Western Film and Television; Lonely Hearts and Ha Sue Matheson Book 2013 Sue Matheson 2013 film.gender.politics.television

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Paladin Plays the Field: 1950s Television, Masculinity, and the New Episodic Sexualization of the P, then pulling back farther to show the holster attached to an imposing black-clad male pelvis. The gun, a shiny black pistol, is removed by the anonymous man’s hand from its holster, cocked, and pointed at the viewer. A voiceover begins:.After an establishing shot of the ritzy Carlton Hotel, with r

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Outlaws, Buddies, and Lovers: The Sexual Politics of , and ,,arted musical Western that results in the heterosexual marriage of its two protagonists, while the other tells the story of two outlaws on the run and their eventual demise. However, there are connections between them, not only in their musical content (both achieved acclaim for their musical scores

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A French Unsettlement of the Frontier: Love and the Threatened American Dream in , (1980),oming, in which Anglo-American ranch owners systematically eradicated, with the aid of a “death list,” European immigrants who had been caught or accused of cattle rustling. Overbudget at an estimated 44 million dollars and overtime at two and a half hours long, critics have typically considered the

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German Saddle Pals and the Absence of Love in the Karl May Westerns,e Italo-Westerns proper, and the third the Italian Western parodies. While all the films that come under these categories have coincidental parallels in their portrayals of heterosexual love, the focus of this chapter will be the Karl May film adaptations. Karl May (1842–1912), a German author of ad

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,“When you side with a man, you stay with him!”—, and the Military Mind in Sam Peckinpah’s , (1969),rally considered “the most graphically violent Western ever made and one of the most violent movies of all time” (Murray, .), . became the subject of heated controversy among its reviewers and the public after its release—its notoriety due to an extraordinarily high body count and sinew-ripping slow

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Andrea Gazzaniga in the Proterozoic carbonates of the Sete Lagoas Formation, mostly in the relatively pure upper Lagoa Santa Member. Much of our sample of 1,399 caves comprise short caves (<20 m in length), which were identified during detailed cave prospecting in environmental assessment studies for limestone quar