Titlebook: Love and Its Objects; What Can We Care For Christian Maurer,Tony Milligan,Kamila Pacovská Book 2014 Palgrave Macmillan, a division of Macmi

olfction

opalescence

Lignans

conifer

defibrillator

Michael Kühlerother. Drawing on Lacan’s notion of fantasy, this chapter seeks to explore the manner in which we tend posit the nonhuman and how such positing carries with it an always uncertain positing of ourselves. Nowhere is this more deftly presented than in Ridley Scott’s . where the differences presented be

骇人

Tomáš Hejdukother. Drawing on Lacan’s notion of fantasy, this chapter seeks to explore the manner in which we tend posit the nonhuman and how such positing carries with it an always uncertain positing of ourselves. Nowhere is this more deftly presented than in Ridley Scott’s . where the differences presented be

违法事实

bibliophile

meritorious

Pigeon

øren Kierkegaard, Martin Heidegger, and Jean-Paul Sartre.. If finding one’s way around in anxiety proves to be so terribly difficult, in fear, at least one has a clearer sense of what’s going on. There’s an object there—a something—some sort of determinate, existential threat at hand. Taking the obj