Titlebook: Loss and the Literary Culture of Shakespeare’s Time; Roslyn L. Knutson,David McInnis,Matthew Steggle Book 2020 The Editor(s) (if applicabl

Resistance

2634-5919 out beyond lost plays to cognate forms of cultural history fAs early modernists with an interest in the literary culture of Shakespeare’s time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity. No account of early mode

代替

Lost Playhouse Manuscriptsscripts approximate Greg’s imagining, but most are of a different order. This chapter exhibits the variety of playhouse manuscripts and the likely plurality of such manuscripts for at least some single plays, and thereby postulates other lost manuscripts, insofar as we actually possess only a single playhouse manuscript of any particular play.

裤子

Like a Virgin: Lost and Reborn Balladse ballads as a commodity whose material loss leads to an eventual re-emergence, the essay draws from ballads’ frequent—and often cheekily ironic—representations of virginity as something which not only can be but will be and must be lost. Being so lost results in reproduction, especially when functioning as an object of economic exchange.

薄荷醇

Rediscovering Lost Literature in the Stationers’ Company Register be traced to a surviving copy. But what about other works of prose and verse which were published alongside plays and interludes? This chapter shows how the Stationers’ Company Register can be used as a source for lost print, revealing the lost poems, playbills and stories created and consumed by the writers, printers and players.

南极

Introduction: Coping with Loss, might approach the challenge of literary and archival loss. It also surveys developments in the study of early modern loss since the publication in 2014 of ., and broadens the scope of the scholarly conversation to think about loss more generally, beyond drama and beyond London.

chemoprevention

defenses

Richard Edwards’ “Palamon and Arcyte” and the Semi-Textual Basis of Playing college students for Queen’s Elizabeth’s visit to Oxford in 1566, suggest that even in the hyper-literate culture of the university and song school, signs of a semi-textual performance practice and transmission appear.

oxidant

BILIO

William Smith, “The Freeman’s Honour,” and the Lord Chamberlain’s Mensiderable body of circumstantial evidence indicates that the author was actually William Smith, rouge dragon pursuivant in the College of Heralds, who had lived in Germany for many years and had connections to the Lord Chamberlain’s Men and Sir John Swinnerton, the dedicatee of ..

侵略主义

Magic Mirrors, Moors, and Marriage: A Lost English Play Surviving in Germanaughter” is one such paradoxically absent-present lost play, and it bears the marks of being deeply immersed in the theatrical activity of London in the 1590s, including the marks of Shakespearean influence. In this chapter, I provide an overview of the play’s plot and attempt to situate the play in its theatrical moment in late-1590s London.