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Titlebook: Losing It; Staging the Cultural Dorothy Chansky Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sprin

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发表于 2025-3-21 16:56:56 | 显示全部楼层 |阅读模式
书目名称Losing It
副标题Staging the Cultural
编辑Dorothy Chansky
视频video
概述Historicizes representations of dementia and decline on the American stage.Considers links between dementia and age, with a focus on how these are presented onstage.Insists on the importance of bodily
图书封面Titlebook: Losing It; Staging the Cultural Dorothy Chansky Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sprin
描述.This monograph is a study of American (U.S.) stage representations of dementia mounted between 1913 and 2019.  Its imbricated strands are playtexts; audiences as both the targets of the productions (artifacts in the marketplace) and as anticipated determinants of legibility; and medical science, both as has been (and is) known to researchers and, more importantly, as it has been (and is) known to educated general audiences. As the Baby Boom generation finds itself solidly in the category of “Senior,” interest in plays that address personal and social issues around cognitive decline as a potentially frightening and expensive experience, no two iterations of which are identical, have, understandably, burgeoned. This study shines a spotlight on eleven dementia plays that have been produced in the United States over the past century, and seeks, in the words of medical humanities scholar Anne Whitehead, to “open up, .and to hold open., central ethical questions of responsiveness, interpretation, responsibility, complicity and care.” .
出版日期Book 2023
关键词Literature, Science and Medicine Studies; Dementia; Alzheimer’s disease; Caregiving; Cognitive decline; A
版次1
doihttps://doi.org/10.1007/978-3-031-20902-4
isbn_softcover978-3-031-20904-8
isbn_ebook978-3-031-20902-4
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Bodies in the Audience/Bodies Onstage: Intersectionalitiesis limited? While all studies of American audiences for over a century (but especially after the 1960s) depict playgoers as “educated,” this often denotes university degrees and income brackets but leaves untouched any particular investment in or understanding of the public sphere. How theatregoers
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Walk-On: s four women and is billed as a comedy, was a favorite among Little Theatres of the 1910s and into the 1920s; it also enjoyed productions across a seventy-plus-year span. This chapter explores the cultural assumptions and dramaturgical workings that made it a success in its day and goes on to consid
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From the Insiders whose awareness is intact, even in the face of impaired memory or speech function. Stroke is the second most common cause of dementia (after Alzheimer’s Disease). Arthur Kopit’s 1978 . depicts the effects of a stroke on a seventy-something former wingwalker (an aerial performer barnstorming in th
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Inside (and) Out: “Who Exactly Am I?”—is troubled by the increasingly kaleidoscopic perceptions of its protagonist, whose grip on what is too often unproblematically called “reality” is shifting, as reflected in changing scenery and characters who may or may not be the people the main character says they are. In other words, not only pe
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Family Affairsmily is African American and .’s is secular Jewish. Both plays ran in New York in 2015 and . has had many revivals in other American cities into the 2020s. . foregrounds the role of embodiment in achieving empathy; . suggests that “accuracy” regarding the past is not the only function that memory se
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