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Titlebook: London’s Working-Class Youth and the Making of Post-Victorian Britain, 1958–1971; Felix Fuhg Book 2021 The Editor(s) (if applicable) and T

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Mods, Working-Class Youth, and London’s Transformation into a Modern Post-war Metropolisks at the impact of internal migration on London’s transformation into a global city known for cultural production, as well as the ways in which themes of new urban modernism, such as increasing physical mobility among working-class people, interacted with modern youth identities. Thirdly, this chap
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Making Britain Great Again: Popular Culture and the British Invasion1960s stimulated the making of Britain’s post-Victorian self-image and paved the way for a “cosmopolitisation” of Britishness. On the other hand, the reluctance of British pop music to depart from the national, and in some ways historical, pattern of identity-building meant that musicians still set
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Cultural Renewal and the Transnational Fashion Industrye way in which designers played with national and imperial symbols, redefining their meaning, but ultimately achieved success by popularising the continental look on a global scale. As such, it examines the route by which the British fashion industry was introduced to, and came to embrace, Italian,
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The Creation and Use of Public Space, the street became a popular motif in pop culture. At the same time, loitering and the occupation of space provoked moral panics; people were alarmed when youth cultural tribes clashed on the streets, and by the late 1960s, Hippies had begun to turn squatting and the use of public space into a poli
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Leisure Venues: London by Day and by Night should be seen as the starting point for the so-called leisure society, in which the consumption of pop culture permeated nearly every sphere of life. This took place with the help of commercial entertainment venues, each catering for specific needs, through which young Londoners were able to turn
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