Titlebook: London on Film; Pam Hirsch,Chris O‘Rourke Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 British Cinema.Urban Studies.Arch

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Screening Spaceshttp://image.papertrans.cn/l/image/588489.jpg

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Introduction: Film Londons,The introduction summarises recent scholarship on cinematic representations of London, and provides an overview of the key themes and films analysed by contributors to this volume.

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,Hitchcock’s , (1936): Conspirators and Bombs in Actual, Literary and Filmic London,was full of reports about a twenty-six-year-old French anarchist named Martial Bourdin who died from shock and haemorrhage from the bomb he was ‘feloniously handling’ in Greenwich Park. This infamous incident was one of the key inspirations for Joseph Conrad’s 1907 novel, ., his only novel to be set

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London Can Take It: Documentary Reconstructions of the City,o win on the home front. The city that had been seen as the ‘Great Wen’ needed to be resignified as the heart of Britain in order to build a national coalition at home and bolster the support of its allies. To achieve these aims, wartime documentaries imagined London as a city of symbols, repurposed

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