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Titlebook: London on Film; Pam Hirsch,Chris O‘Rourke Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 British Cinema.Urban Studies.Arch

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发表于 2025-3-21 18:45:29 | 显示全部楼层 |阅读模式
书目名称London on Film
编辑Pam Hirsch,Chris O‘Rourke
视频video
概述Engages with both very early films of London and very recent films.Deals with how films have responded to social, political and material change in the city.Interdisciplinary and will be of interest to
丛书名称Screening Spaces
图书封面Titlebook: London on Film;  Pam Hirsch,Chris O‘Rourke Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 British Cinema.Urban Studies.Arch
描述.This book, a collection of essays by expert film researchers and lecturers, contributes to the growing body of scholarship on cinematic cities by looking at how one city—London—has been represented on film. In particular, the collection examines how films about London have responded to social, material and political change in the city, either by capturing and so influencing how we think about London, or by acting as catalysts (intentionally or otherwise) for public debate. Individual essays explore films ranging from the earliest actualities of the late nineteenth century to contemporary blockbusters. The book will appeal to film scholars and students, as well as to readers interested in the history of London and its changing image..
出版日期Book 2017
关键词British Cinema; Urban Studies; Architecture; London on film; Representations of London; urban life on scr
版次1
doihttps://doi.org/10.1007/978-3-319-64979-5
isbn_softcover978-3-319-87916-1
isbn_ebook978-3-319-64979-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
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发表于 2025-3-21 21:55:43 | 显示全部楼层
Wanting More: Gender, Space and Desire in , and ,,desire to have more. Each of these characters wants to broaden their experience of what it means to be a woman in 1960s Britain, and in all cases society refuses to comply. In these films, London is a site upon which their desire is fuelled and frustrated by the real—and the culturally mythologised—elements of mid-1960s social and cultural change.
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London Can Take It: Documentary Reconstructions of the City, (1942), . (1944), and . (1946), this chapter examines these strategies and the use of urban space to mobilise the nation. It argues that these films construct images of wholeness from fragments of a bombed landscape and, more broadly, considers documentary as a process of excavation, reconstruction, and reimagining of the familiar.
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Book 2017therwise) for public debate. Individual essays explore films ranging from the earliest actualities of the late nineteenth century to contemporary blockbusters. The book will appeal to film scholars and students, as well as to readers interested in the history of London and its changing image..
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From the Docks to Notting Hill: Cinematic Mappings of Imperial and Post-Imperial London,ffers a comparative and textual analysis of the representational spaces these two very different actors inhabited in their films. This approach cuts across traditional chronologies of British cinema history to shed light on dynamic processes of cross-cultural exchange and shifting definitions of black stardom.
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978-3-319-87916-1The Editor(s) (if applicable) and The Author(s) 2017
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