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Titlebook: Locating Exiled Writers in Contemporary Russian Literature; Exiles at Home Lisa Ryoko Wakamiya Book 2009 Palgrave Macmillan, a division of

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Book 2009This innovative study examines the work of exiles from the Soviet Union who returned to a reformed post-Soviet Russia to initiate narrative processes of self-definition oriented toward a readership and nation seeking self-identity, all at a time of social, political and cultural transition within Russia itself.
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Overview: This innovative study examines the work of exiles from the Soviet Union who returned to a reformed post-Soviet Russia to initiate narrative processes of self-definition oriented toward a readership and nation seeking self-identity, all at a time of social, political and cultural transition within Russia itself.978-0-230-10203-3
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Introduction,n be found even in narratives of return. By its very existence, the narrative project of return acknowledges the writing of exile that preceded it. It reorganizes the poetics of exile in various ways, reshaping and refracting an inherited set of figures to rhetorically construct and enact the experi
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Russian Cosmopolitan,to Moscow twice a year from his home in Washington, DC. Rapid changes to the city guaranteed the writer would see a different Moscow on each visit, but it has been said that each trip brought a different Aksyonov to Moscow as well. First he was the reigning writer for the generation of the 1960s, re
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,The End of Exile— The End of Return?,he great elsewhere to which he could not, would not, out of pride, out of anger, out of anxiety, ever return.”. At home between two elsewheres, Brodsky’s determination to remain in a home situated out of place may be construed, in part, as his unwillingness to unravel his hard-won exilic discourses
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