Titlebook: Local Invisibility, Postcolonial Feminisms; Asian American Conte Laura Fantone Book 2018 The Editor(s) (if applicable) and The Author(s) 20

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书目名称Local Invisibility, Postcolonial Feminisms影响因子(影响力)学科排名




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书目名称Local Invisibility, Postcolonial Feminisms网络公开度学科排名




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书目名称Local Invisibility, Postcolonial Feminisms被引频次学科排名




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书目名称Local Invisibility, Postcolonial Feminisms年度引用学科排名




书目名称Local Invisibility, Postcolonial Feminisms读者反馈




书目名称Local Invisibility, Postcolonial Feminisms读者反馈学科排名

聪明

Asian American Art for the People,awing from an original interview, the author explores the way in which the 1960s politics, and the Asian American movement specifically, shaped Hom’s identification with Asian Americanness as an emerging political formation and radicalized community. New insights about the San Francisco scene, espec

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Traces and Visions of In-Betweenness,sses the work of Theresa Hak-Kyung Cha and Trinh T. Minh-ha in their resonating trajectories. The author embraces a feminist, postcolonial perspective, arguing that the two artists offer a uniquely transnational sensibility: they do not present themselves as simply Asian American. Their work poses q

affect

AAWAA: Visibility, Pan-Asian Identity and the Limits of Community,the attention given to “minority” artists and their identity (especially those who do not fit clearly in the predominant conceptions of Asianness in California)..The chapter also develops an analysis of the Asian American Women’s Artists Association (AAWAA) founded in San Francisco in the 1980s. By

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Opacities: Local Venues, Cosmopolitan Imaginaries,t based in Los Angeles, positions her work transnationally and embraces a postcolonial poetics, outside of strictly national frames, while maintaining a strong de-colonial political critique of othering, commodification and economic effects of globalization. The author examines Dizon’s work offering

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Conclusions,y East Asian art, especially Chinese male artists. The conclusion critiques the high-art cosmopolitan discourse, predicated upon the celebration of California’s multiple cultures and identities, as clashing with the rejection of the Asian female artist. Such a figure is too often reduced to a distan

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Laura FantoneProvides insight into a rich yet understudied population in American art history.Explores the nuance of how Asian American identities have changed throughout the twentieth century to the present

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