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Titlebook: Literature’s Sensuous Geographies; Postcolonial Matters Sten Pultz Moslund Book 2015 Palgrave Macmillan, a division of Nature America Inc.

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The Tenor of Place, Language, and Body in Postcolonial Studiesthese are all of crucial concern to the postcolonial scholar. And hence, Said’s observation that “the imagination of anti-imperialism” is distinguished by “the primacy of the geographical in it” (Said, 1993, 271).
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Postcolonial Aesthetics and the Politics of the Sensibleideas of the work as an entity in and for itself, devoid of any instrumentality or interests or political ends. Naturally, Kant looms large in this philosophy of aesthetics. Kant’s aesthetic judgment involves an exercise of detachment and impartiality in order to appreciate how a transcendental work
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How to Read Place in Literature with the Body: Language as Poiesis-Aisthesisn to another). The sociocultural extension of this idea reads language . as something that is . the world. Rather, the sign serves within a system of signs that interpret, or . the world according to certain sociocultural interests (e.g., we do not have words like “cow” or “tree” to name particular
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Silent Geographies in Joseph Conrad’s , (1902)nological but also a major shift in the human relation to the world instigated by the Enlightenment as fathered by Descartes. To Harrison, Descartes completed the invalidation of the significance of the body that had sped up since the Copernican revolution had revealed geo-centrism (i.e., Earth as t
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Nation and Embodied Experiences of the Place World in Chinua Achebe’s , (1958) of eliding “spatial ‘presence’ ” and the physical relation to “the body of land”, all of which reduces “the excess of signification in nature” (West-Pavlov, 2010, 53, 157, 32). To West-Pavlov, postindependence literature comes with the whole discursive apparatus of the State: its historical narrati
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Place and Sensuous Geographies in Migration Literature being driven by a conservative fear of change that has led them to equate globalization with a dehumanizing production of placelessness (e.g., see Dainotto, 2000, 2–15). In contrast to this, sociocultural geographers work to understand places as open, dynamic, and intimately connected with a global
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