Titlebook: Literature of Girmitiya; History, Culture and Neha Singh,Sajaudeen Chapparban Book 2023 The Editor(s) (if applicable) and The Author(s), un

CONE

ication. As with many scholarly first books, this present work had its genesis as a doctoral dissertation, and hence my first and most profound acknowledgment must be to Professor S. Harrison Thomson of the University of Colorado, whom I am honored to be able to describe as my mentor. Only my fellow

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Aparna Tripathi to comprehend whether entrepreneurship is truly a socio-economic emancipatory strategy. Varying experiences of entrepreneurs, from different geographical territories, origins and gender are examined under a critical lens to deconstruct its emancipatory potential and appreciate its power in generati

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fidelity

Dhanraj Gusingeysis of two of the most popular concepts at the moment in peace operations: capacity-building and local ownership. These concepts are understood as being relevant indicators of sovereignty on a more practical level — in the work of the UN on the ground — in a target country. The level of analysis is

compel

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GLADE

A Critical Reflection on Imperialism, Nostalgia and Traumatic Experiences in Totaram Sanadhya’s under the imperial or parochial powers. They elicited great courage, remarkable resilience, and loyalty in fighting back from their painful slavery to regain their freedom. Pundit Totaram Sanadhya (1876–1947) is one of them who was deceitfully recruited as an indentured labourer and taken from Indi

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Tracing the Girmitiya Consciousness in Bhojpuri Folkloric Songs: A Study of Three Bhojpuri Video Sonempts to delve into the girmitiya consciousness, as a condition for imagining the cultural and historical trajectories of the girmitiya. These three songs provide an alternate outlook on the oral traditional Bhojpuri folksongs to espouse the very origins of these folksongs as registers of the girmit

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The Poetics of Unsung Chutney Singer Lakhan Karriah of Trinidad. Lakhan recorded a number of songs on the “Windsor Records” label, with Moean Mohammed as the producer. This paper examines the song “Doh Doh Sundar Popo” from a literary perspective. References are made to the intersections between poetry and his lyrics, and their points of synthesis. The analysis