Titlebook: Literary Second Cities; Jason Finch,Lieven Ameel,Markku Salmela Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Cities in l

Hermit

书目名称Literary Second Cities影响因子(影响力)




书目名称Literary Second Cities影响因子(影响力)学科排名




书目名称Literary Second Cities网络公开度




书目名称Literary Second Cities网络公开度学科排名




书目名称Literary Second Cities被引频次




书目名称Literary Second Cities被引频次学科排名




书目名称Literary Second Cities年度引用




书目名称Literary Second Cities年度引用学科排名




书目名称Literary Second Cities读者反馈




书目名称Literary Second Cities读者反馈学科排名

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Migratory

CROAK

Still Learning from Las Vegas: Imagining America’s Urban Otherial version of the state of exception as theorised by Giorgio Agamben. The city’s ability to invent itself anew has also changed the ways in which one can learn from Las Vegas or see it as a “second” city, as the world’s other cities keep creating their own versions of the Strip’s industries of leisure.

tenosynovitis

Narva: A Literary Border Townand modern architecture both express the need to remember the old, demolished city hidden underneath the post-war architecture, showing that it is not possible to build a new town on the ruins of the old one without continuing to talk about the lost one.

propose

Vo2-Max

Moving Beyond Venice: Literary Landscapes of Movement in Northern Italy’s “Diffused City”terial route of the motorway connecting Milan and Venice, and analyses different case studies, from the 1989 novel by Gianfranco Bettin . to Giorgio Falco’s 2009 collection ., to propose these literary works as cognitive tools that contribute to the ‘readability’ of Italy’s north-eastern urban sprawl, even from a geographical perspective.

deciduous

Cities Within a Second City: The Case of Literary Tartu meanings in the city space may be attempted. In particular, the chapter observes the emergence of less traditional versions of literary Tartu, often connected with urban nature, in the works of the contemporary Estonian poet Jaan Kaplinski.

南极

The Capital of Otherness: A Geocritical Exploration of Diyarbakır, TurkeyDiyarbakır is the city-symbol, is violent, unsettled, or archaic. Nonetheless, switching the focus from the Turkish to the Kurdish cultural imaginary, Diyarbakır’s position changes significantly. The city, in Kurdish language called Amed, becomes a primary source of identity, the capital of imagined Greater Kurdistan.

人造