Titlebook: Life Creative Mimesis of Emotion; From Sorrow to Elati Anna-Teresa Tymieniecka Book 2000 Springer Science+Business Media Dordrecht 2000 Fra

名词

诱拐

商议

The Subtractive and Nihilistic Modes of Silence: Heidegger and Beckett, Wittgenstein and Giacomettiway that we would want to transcend its logical form and its informative purpose? Finally, how could silence ever perform the function, through such indirect discourse, of reaching beyond the limits of language? Such questions reflect the painful realization that there are times when we are unable t

CORE

Between Elation and Sorrow: Aesthetic Experience in the Western European Noveltory of philosophical aesthetics.1 Regardless of its definition, nobody would deny that it is inextricably woven into our daily lives. Ornaments on buildings or furniture, interior decorating, styling and design, fashions in clothing, jewelry, make-up, pictures on our walls, the background music of

饶舌的人

吞吞吐吐

BADGE

The Death of a Significant Other the out-of-the-ordinary is a mundane typification. The death of a significant other is an event thar radically disturbs our concrete lives and our innermost Being, As emotionally painful as this event can be, the death of a significant other is an occasion that potentially reveals in a primordial w

recession

The Loss of Gregor Samsa, and Kafka’s Use of Languages a clerk providing a means of life for his family to an even darker existence as an insect finding solitude under the sofa of Ms own living room. Finally, after starving to death, Gregor’s remains are dealt with by the charwoman in a manner for which Kafka has no language.

corpus-callosum

沙漠