Titlebook: Licensing, Censorship and Authorship in Early Modern England; Buggeswords Richard Dutton Book 2000 Palgrave Macmillan, a division of Macmil

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elopment of licensing in the theatre, and the response of the actors and dramatists to it. There are detailed examinations of how censorship affects our reading of four major playwrights: Marlowe, Shakespeare, Jonson and Middleton, and of how the control of printed books compared with that of the stage.978-0-230-59871-3

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The Regulation and Censorship of Early Modern Drama,ling, going to the heart of the role of the Master of the Revels, the key figure in the licensing and censorship of professional drama in the time of Shakespeare and down to the closing of the theatres in 1642.

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Shakespeare: the Birth of the Author,peare’s career within it. In particular, I shall be considering: the copyright of play-texts and how it related to their licensing; the relationship between acting companies and their retained playwrights; and the practice of circulating play-texts in manuscript.

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Middleton: the Censorships of , And all judgements are ultimately a reading of the ideology of early modern theatre history as a whole, rather than of this single play’ (Dutton 1999, p. xxxiii). This applies to the censorship of the play (or lack of it) as much as to any other feature.

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https://doi.org/10.1007/978-3-319-97376-0pancreatic duct access; bile duct access; ablation; liver biopsy; fiducial placement; gastrojejunostomy